London 1970s
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The Family
The Family
In 1959 Fleischmann married Joy and in 1961 their son Dominique was born. This represented a major event in the sculptor's life and much of the subject matter of his work revolves around the theme of the family.
Dominique and Joy on the Cotopaxi
Dominique and Joy on the Cotopaxi
Through the many commissions for the Pacific Steam Navigation Company, he was able to arrange several ocean voyages.
Dominique and Joy in Chile
Dominique and Joy in Chile
He and his family travelled together on long sea passages on board cargo ships belonging to the company. One of the most notable trips was an Atlantic crossing on the Cotopaxi to South America.
In 1968 MGM released the Stanley Kubrick film "2001 - A Space Odyssey". The mysterious monolith that landed on earth was originally commissioned by Kubrick from Stanley Plastics. At two tonnes it was the largest block of acrylic ever cast. Mr Stanley delivered the block to Boreham Wood Studios, but Kubrick was disappointed with screen tests and the sparkling clear polymer block was eventually rejected as a prop in favour of dense, black basalt that was imported from Scandinavia.
The Crystal Crown
HM Queen Elizabeth II unveiling
'The Crystal Crown'
The block was not abandoned, however, and resurfaced nine years later in the form of a glittering sculpture entitled "The Crystal Crown", hand-carved by the Arthur Fleischmann. The sculpture was made to celebrate the Silver Jubilee of Queen Elizabeth II and was unveiled by the Queen herself in June 1977 in St. Katherine's Docks, London, where for three months Fleischmann had patiently chiselled away at the block inside a polythene tent.
In 1969 Fleischmann was commissioned to create a sculpture for the British Pavilion at Expo70, Osaka, Japan. He was developing concepts in Water Sculptures constructed from horizontal sheets of Perspex over which water was allowed to trickle. He decided to embark on designing and creating a huge version of a sketch he had shown the architects. It was entitled "Harmony and Progress", was twelve feet high and graced the main entrance of the Pavilion. It was typical of Fleischmann that he persuaded the organising committee to pay for his wife and son to travel to Osaka with him while supervising the installation on site.
Harmony and Progress
'Harmony and Progress'
 
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